By Susan A. Stephens, John J. Winkler
The fresh discovery of fragments from such novels as Iolaos, Phoinikika, Sesonchosis, and Metiochos and Parthenope has dramatically elevated the library catalogue of historical novels, calling for a clean survey of the sector. during this quantity Susan Stephens and John Winkler have reedited the entire identifiable novel fragments, together with the epitomes of Iamblichos' Babyloniaka and Antonius Diogenes' Incredible issues past Thule. meant for students in addition to nonspecialists, this paintings presents new versions of the texts, complete translations each time attainable, and introductions that situate each one textual content in the box of old fiction and that current appropriate historical past fabric, literary parallels, and attainable strains of interpretation.
Collective analyzing of the fragments exposes the inadequacy of many at present held assumptions in regards to the historic novel, between those, for instance, the paradigm for a linear, more and more advanced narrative improvement, the proposal of the "ideal romantic" novel because the familiar norm, and the character of the novel's readership and cultural milieu. as soon as perceived as a past due and insignificant improvement, the unconventional emerges as a imperative and revealing cultural phenomenon of the Greco-Roman international after Alexander.
Originally released in 1995.
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Extra resources for Ancient Greek Novels: The Fragments
Surely [you are] not finding fault with my son? [For] he has done nothing 16 forward; he has not in insolence returned to us from his victories and triumphs. He has not [forced himself drunkenly] on you as a proud warrior. 20 I don't suppose you [would have been] silent if this had happened. [But] the observance of custom is slow for [those who are ripe] for marriage. " She smiled and embraced her with warm affection. I: 2. , Zimm. 2-3. , Lav. 3. ) Wil. 3-4. , Weil, Zimm. 4-5. Levi, Wil. 5. pap.
In either case, the title could refer to Ninos's wife or to another woman, but in the novelists, at least, the voca tive gunai is normally used to refer to a woman other than one's own wife. From Diodoros (Ktesias) there is ample testimony of Semiramis's par ticipation in military affairs—indeed, quite apart from the presence of Ninos—but the character of the young girl with whom Ninos is in love in this novel seems scarcely suited to such hardy activity. Further, there are two mosaics plausibly linked to this novel, one from Alexandretta, the other from Daphne, which portray Ninos contemplating a small portrait of a woman who must be his beloved, whether or not they are married.
Hagg wonders about the maiden: "Servant or temptress? " (Hagg 1983:19, fig. 4). 17), is that this mosaic depicts Ninos's wife approaching him as a servant when he thinks her dead or far away. Such a scene of unexpected reunion would certainly be memorable enough to stand for the entire novel, as it does in the two mosaics. 1-20), that 1 FGrHist 688. There is no trace of a version of this story in Greek earlier than Ktesias, nor mention of Ninos as a national hero in cuneiform tablets. 1). 10), that historical tradition obviously provided at least a nominal basis for our narrative.
Ancient Greek Novels: The Fragments by Susan A. Stephens, John J. Winkler